I am not much of an expert on the modern visual arts. I trained in college as a performing musician (classical organ), so I feel much more comfortable discussing musical aesthetics.

When it comes to the visual arts, I like representational paintings, abstract sculptures, and modern architecture. But I don't like any art that needs a written explanation of its "concept" (this includes music, too, btw).

That's why I laughed out loud when I saw this Peter Bagge cartoon in my print version of Reason last year.

Bagge is a polarizing comic artist; you either love or hate his strips. In this sense, he is like many modern artists. On page 2 of this strip, he says what I have long thought about contemporary "fine" art:

My feelings toward the contemporary fine art world have always been a mix of bemusement, resentment, and contempt. 95% of what they're hyping is pure crap yet if you dare to say as much out loud you'll be looked upon as a clueless Philistine.

He points out that much of modern art criticism discounts the value of "craftsmanship," since those "self-appointed arbiters of taste feel compelled to denigrate anything that the average shmuck can recognize as quality work."

This issue exists in all arts, not just the contemporary ones. 2Blowhards touched on this with their brief acknowledgement of Julia Childs' passing last year:

By knocking the snobbery out of French cooking and bringing her own enthusiasm and her wonderfully eccentric character into living rooms, she made class and taste accessible and attractive to millions. The food revolution that has transformed middle- and highbrow American eating owes no one a greater debt.

I'm glad that technology and a prosperous economy allow more and more of us normal people to not only enjoy, but learn and practice arts that were once the sole province of artisans and artists or their wealthy patrons.

Posted by: JohnL at 12:35 AM | Comments (1) | Add Comment
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