April 02, 2005

Talking to Lawyers

Talking to lawyers -- about as fun as talking to dentists, or used car salesmen, right?

Seriously, though, you may find yourself needing legal advice someday. And Timothy Sandefur has prepared an excellent list to help you get the best value out of your lawyer.

Number 1 on his list is one of the hardest to get across. What seems important to the client is not necessarily legally important. The challenge for the lawyer is to explain why certain things are not legally relevant, even though they seem very important to the client. (Unfortunately, the law is often not "fair" and the client can feel a sense of injustice that the things that are important to them won't be heard in court).

Number 10 (don't call every day, but do call) is also equally important for both the lawyer and client to observe.

Go read the whole thing.

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April 01, 2005

Carnival of the Recipes #33

Welcome back my friends, to the show that never ends. We're so glad you could attend! Come inside, come inside!

Introducing the "Karn Evil" of the Recipes 33. We've a sight to make you drool, so keep it cool, keep it cool...
more...

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Of Naked Emperors and Modern Art

I am not much of an expert on the modern visual arts. I trained in college as a performing musician (classical organ), so I feel much more comfortable discussing musical aesthetics.

When it comes to the visual arts, I like representational paintings, abstract sculptures, and modern architecture. But I don't like any art that needs a written explanation of its "concept" (this includes music, too, btw).

That's why I laughed out loud when I saw this Peter Bagge cartoon in my print version of Reason last year.

Bagge is a polarizing comic artist; you either love or hate his strips. In this sense, he is like many modern artists. On page 2 of this strip, he says what I have long thought about contemporary "fine" art:

My feelings toward the contemporary fine art world have always been a mix of bemusement, resentment, and contempt. 95% of what they're hyping is pure crap yet if you dare to say as much out loud you'll be looked upon as a clueless Philistine.

He points out that much of modern art criticism discounts the value of "craftsmanship," since those "self-appointed arbiters of taste feel compelled to denigrate anything that the average shmuck can recognize as quality work."

This issue exists in all arts, not just the contemporary ones. 2Blowhards touched on this with their brief acknowledgement of Julia Childs' passing last year:

By knocking the snobbery out of French cooking and bringing her own enthusiasm and her wonderfully eccentric character into living rooms, she made class and taste accessible and attractive to millions. The food revolution that has transformed middle- and highbrow American eating owes no one a greater debt.

I'm glad that technology and a prosperous economy allow more and more of us normal people to not only enjoy, but learn and practice arts that were once the sole province of artisans and artists or their wealthy patrons.

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