The Ecstasy of Gold
One of my favorite musical themes of all time, Ennio Morricone's masterful The Ecstasy of Gold from his soundtrack for The Good, the Bad, and the Ugly:
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Wow, now all I need to complete my morning is a plate of spaggetti and some Huevos Rancheros...
Posted by: T F Stern at September 15, 2006 07:25 AM (z1IoH)
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I love this music but my favorite was the soundtrack to "Once upon a time in the West" That was the most hauntingly beautiful stuff.
Have you ever heard any music from an Andean group living here in Texas named Runa Paca. there music has the same eerie qualities as Ennio Moriconne.
BTW I got a bunch of new articles on my site, check it out, And please feel free to link to me.
http://impudent.blognation.us/blog
Posted by: kyle8 at September 19, 2006 03:57 AM (jpfLf)
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Nope. The James Bond sendup Casino Royale (1967) had a Herb Alpert theme tune that rocked better than any other movie theme in history. It really was one of the best big band arrangements ever. I did a google search but couldn't locate an online recording of it, but I wore the record out as a kid, and I still remember every note. Hell, I could probably transcribe it by memory, if I put my mind to it.
Not that I'm not a "Man With No Name" fan, of course: I saw those in the original releases at a drive-in theater in San Antonio, for crying out loud (Yes, I'm THAT old!).
Nice find, though.
Posted by: Hucbald at September 24, 2006 08:30 PM (JkNHw)
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One of the many reasons you rock. Morricone rules.
Posted by: Velociman at September 28, 2006 05:18 PM (akwIr)
Anticipating the RushThis article has me more excited than usual about Rush's new studio release due in early 2007. This extended quote from drummer and lyricist Neil Peart especially piqued my interest:
"You try to put your own way of seeing the world into some kind of congruence with other peoples, and that's difficult for me... I mean, I see the world in what I think to be a perfectly obvious and rational way, but when you go out into it and see the way other people think and behave, and express themselves on church signs, you realize, 'Well, I'm not really part of this club....'"
"I looked for the good side of faith.... To me it ought to be your armor, something to protect you and something to console you in dark times. But it's more often being turned into a sword, and that's one big theme I'm messing with."
What particularly interests me about this is that he has already touched on the "faith as sword" theme in the song Peaceable Kingdom from Vapor Trails (lyrics and some commentary here), which was a pretty obvious condemnation of jihadist Islam.
Peart is familiar with the church signs he mentions based on his wide-ranging motorcycle tours of North America (chronicled here and here -- the latter one notably recounting his painful journey through the continent to deal with the grief of losing his wife and daughter within a year of each other.)